Fernando Nunez

Fernando Nunez

Fernando Nunez is an editor at Visual Atelier 8, contributing to the publication focus on contemporary art, design, architecture, fashion, technology, and creative culture. His editorial work highlights emerging and established creatives through curated features, interviews, and project-based storytelling for an international audience.
DreamGood: Lifeline

DreamGood: Lifeline

DreamGood’s “Lifeline” builds its idea around a quiet belief in intuition, using electronic textures around the inward voice of a self-described soft-boy introvert. The song sits in that space between pop confession and stranger electronic detail, where the personal thought…

Brian Ullman: Airplane

Brian Ullman: Airplane

Brian Ullman’s “Airplane” places an indie singer-songwriter track inside the movement toward a larger project, following “Indian Girl” as part of the forthcoming Exit to Yesterday. With no further description of the song itself, the title becomes the clearest image…

Kidoo: Beat Boyz

Kidoo: Beat Boyz

Kidoo keeps´s “Beat Boyz” has the physical pull of house: a four-to-the-floor kick, hi-hats and off-beat shuffles disturbing the regularity around it. A muted clap lands on the second and fourth beats, and metallic clicks slip through the percussion without…

Who Else, Zagitar: Voltage

Who Else, Zagitar: Voltage

Who Else and Zagitar make “Voltage” work through restraint, keeping a four-to-the-floor pulse steady while short synth stabs and a repeating melodic motif give the groove somewhere to move. The crisp off-beat hi-hats push against the kick, with shakers and…

Bebi: Wake Up

Bebi: Wake Up

Bebi gives “wake up” its own physical logic by setting a two-step garage swing against trap’s heavier low end, with the kick and syncopated snare keeping the groove buoyant while the sub-bass holds it down. The track does not smooth…

Amiture Music, Eliana Glass: Idela.

Amiture Music, Eliana Glass: Idela.

Amiture Music and Eliana Glass’s “Idela” builds its own logic from fragments that never settle into a single scene. “I know everyone wants to kill me” opens with a blunt threat, then the lyrics jump through a living room, a…

IzyBeats, Yera, Jhosy: Interesada (Money Money)

IzyBeats, Yera, Jhosy: Interesada (Money Money)

IzyBeats, Yera and Jhosy’s “Interesada (Money Money)” keeps its attention fixed on a woman who seems to know what her appearance does to the people around her. Yera notices the perfume, clothes, and body first, collecting details as he circles…

Fede Micioni: Syntezi

Fede Micioni: Syntezi

Fede Micioni’s “SYNTEZI” treats techno as a material to reshape rather than a structure to fill, using a deep pulse as the fixed point while synthetic textures and resonances keep changing around it. Across more than seven minutes, the track…

Roaring Tiger Studios: Whatever’s Clever Part 1

Roaring Tiger Studios: Whatever’s Clever Part 1

Roaring Tiger Studios’ “Whatever’s Clever Part 1” keeps its groove understated, letting the contrast between lo-fi electronics, raw blues guitar, and saxophone carry the piece. Built from 80s MPC beats, the track moves through a late-night space without rushing toward…

Ten Fé: The Fool

Ten Fé: The Fool

Ten Fé’s “The Fool” gives heartbreak a strange shape: longing for a life that never happened. Written years ago on a snowy night beneath the Westway, the song looks past the usual story of love ending and stays with the…