James Turrell opens largest museum Skyspace at ARoS Aarhus

Sunrise Twilight session inside James Turrell's monumental Skyspace As Seen Below at ARoS Aarhus, captured by Florian Holzherr.
James Turrell, As Seen Below, 2026. Foto: Florian Holzherr © ARoS 2026

As Seen Below by James Turrell opens as monumental Skyspace in Denmark

James Turrell’s As Seen Below has opened at ARoS Aarhus Art Museum in Aarhus, Denmark, as the artist’s largest Skyspace installed within a museum context. The permanent installation opens ahead of the summer solstice and marks Turrell’s 100th Skyspace, adding a monumental new work to ARoS and completing a major expansion of the museum.

Measuring 16 metres in height and 40 metres in diameter, As Seen Below is entered through an underground corridor before visitors arrive inside a vast domed chamber. At the centre of the ceiling, a circular aperture frames the sky, allowing changing daylight, weather and seasonal conditions to become part of the work. The scale has been compared by the museum to the Pantheon in Rome, but Turrell’s project is not built around historical reference. It uses architecture to alter perception, making light, colour and the open sky the main materials—a perceptual sensibility that parallels how Theo Pinto turns light into atmosphere at Cadogan Gallery through delicate gradients and atmospheric painting.

Sunset view in James Turrell's Skyspace As Seen Below at ARoS Aarhus showing saturated colored interior illumination contrasting with the evening sky.
James Turrell, As Seen Below, 2026. Foto: Florian Holzherr © ARoS 2026. Sunset in As Seen Below.
Architectural perspective of The Dome chamber by James Turrell at ARoS Art Museum, Denmark, photographed by Adam Mørk.
James Turrell, As Seen Below ‑ The Dome, a Skyspace by James Turrell. Photo: Adam Mørk, 2026.

ARoS presents the work in three modes. In Open Sky, the aperture remains open, turning the sky into a changing field of colour during museum opening hours. In Colour Shift, the opening is closed and the interior becomes the focus, with light moving across the walls until the architecture seems to dissolve. At sunrise and sunset, special Twilight sessions combine the open sky with changing coloured light inside the dome, producing the perceptual effect for which Turrell is best known: the sense that the colour of the sky itself is being altered.

Low-angle vertical view looking up at the circular ceiling oculus of James Turrell's 100th Skyspace As Seen Below at ARoS.
James Turrell, As Seen Below ‑ The Dome, a Skyspace by James Turrell. Photo: Adam Mørk, 2026.

The project forms part of a wider expansion developed with Schmidt Hammer Lassen and Aarhus Municipality. Alongside Turrell’s Skyspace, the programme includes The Salling Gallery, a subterranean exhibition space for annual contemporary art commissions opened in June 2025, and the ARoS Art Square, a permanent outdoor area for art presentations. The expansion strengthens ARoS’s focus on large-scale installation, joining works such as Olafur Eliasson’s Your rainbow panorama and Ron Mueck’s Boy within the museum’s collection.

Director Rebecca Matthews standing alongside light artist James Turrell inside As Seen Below The Dome at ARoS Kunstmuseum.
James Turrell, As Seen Below ‑ The Dome, a Skyspace by James Turrell. Photo: Mads Smidstrup © ARoS, 2025.

The realisation of As Seen Below was supported by the Salling Foundations, the New Carlsberg Foundation, Aarhus Municipality, ARoS and a private anonymous donation. For Aarhus, the work also functions as a new cultural destination, bringing together art, architecture and public experience within one permanent commission. Rather than presenting light as an image, Turrell turns it into an event that changes with every hour, every visitor and every shift in the sky above Denmark.

Aerial drone photograph by Tina Sørensen showing Schmidt Hammer Lassen's museum expansion and the subterranean dome of James Turrell's Skyspace at ARoS.
James Turrell, As Seen Below ‑ The Dome, a Skyspace by James Turrell. Photo: Tina Sørensen © Schmidt Hammer Lassen, 2026.

All images courtesy of ARoS Aarhus Kunstmuseum, shared with permission

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