Optical Arts Playing Objects’ FUGUE In Film’s Narrative

Fugue created by Optical Arts is a set of exactly repeated actions, but each time using different objects. It uses the structure of the fugue to create the film’s narrative, playing on the fugue’s characteristic of stating the subject in different voices.

Fugue in A major by Dmitri Shostakovich is a very interesting piece as it contains no harmonics dissonance at all. The Fugue was an outlier in a larger collection of Preludes and Fugues which at the time was panned by critics for being very harsh and dissonant.

Optical Arts Playing Objects' FUGUE In Film's Narrative

The piece was written in 1950’s Russia under Stalin’s regime, which is performed by Sviatoslav Ricther in 1956 in Prague and might have been a veiled criticism where any less subtle forms of criticism could have been very dangerous. Shostakovich had already been denounced for political incorrectness in 1948 by the communist party chairman, Andrei Zhdanov, and lived under a persistent fear of the numerous purges that were taking place across Russia at that time.

Optical Arts Playing Objects' FUGUE In Film's Narrative
Optical Arts Playing Objects' FUGUE In Film's Narrative


Creative Direction & Production: Optical Arts

Music Written by: Dmitri Shostakovich

Music Performed by: Stanslaw Ricther / 1956 Prague

1st Camera Assistant: Elliott Lowe

Styling: Jamie-Lee Harding

VFX Supervisor: Miguel Wratten

Colorist: Martin Pryor

Editor: Matt Cronin

Retouching: Martin Pryor


Images with courtesy of Optical Arts



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