Fernando Nunez

Fernando Nunez

Fernando Nunez is an editor at Visual Atelier 8, contributing to the publication focus on contemporary art, design, architecture, fashion, technology, and creative culture. His editorial work highlights emerging and established creatives through curated features, interviews, and project-based storytelling for an international audience.

Christian Sean: Saint Loreto

Christian Sean’s “Saint Loreto” opens on a specific historical argument: early 80s pop, assembled from synths and primitive drum machines by a handful of producers, was its own organic electronic form, and that form has something left to say. The…

Elli Moore: Moneymaker

Elli Moore: Moneymaker

Elli Moore’s “Moneymaker” opens on a correction: underestimated, but motivated. The song does not dwell on the slight. It moves directly into the calculation, value already tallied, paper already manifesting, the bank already waiting at the end of the logic.…

cjmarks, Chill E: Stay Away.

cjmarks, Chill E: Stay Away.

cjmarks and Chill E’s “Stay Away” runs on a contradiction the title makes plain: wanting someone gone is not the same as being indifferent to them. The indie rock guitars and pop clarity, the song´s a register built for that…

Will Avery: ABC World Tour

Will Avery: ABC World Tour

Will Avery’s “ABC World Tour” organizes the world into 26 riddles, one per letter of the alphabet, each withholding its city until the child has already arrived there through food, architecture, or a specific cultural image. The call-and-response structure carries…

Albem: Bones

Albem: Bones

Albem’s “Bones” uses English and Japanese without translating each other, and the gap between them is not a problem the song tries to solve. What the Japanese carries, water tracing skin, wind moving through hair, a voice heard through a…

Sierra Levesque: UNDERMINED

Sierra Levesque: UNDERMINED

Sierra Levesque’s “UNDERMINED” places itself inside a familiar rock narrative, the moment after the lie lands and before the person who told it realizes what they miscalculated. The title is past tense as diagnosis: something was done, the speaker knows…

Sibb: Alright

Sibb: Alright

Sibb’s “Alright” is built around a decision already made, a speaker who chose correctly and cannot stop interrogating the choice. The song sits inside Act I of the debut EP Delusion, a chapter the artist frames as hyperromanticism, and “Alright”…

Brooke Henzell: Cold Angel.

Brooke Henzell: Cold Angel.

Brooke Henzell’s “Cold Angel” starts from a collision between two books read back to back, both circling paranoia and alienation, and finds that the emotional world they share already had a soundtrack. PJ Harvey and Portishead provided the coordinates. The…

Crawford Mack: Don’t Play The Victim

Crawford Mack: Don’t Play The Victim

Crawford Mack’s “Don’t Play The Victim” is a case study in pattern recognition, built around four men who each believe their situation is singular and each walks into the same wall. Tom, Billy, Dan, Luke: different entry points, same result.…

Bizarrefae: Real Problems

Bizarrefae’s “Real Problems” opens on a voice that doubts its own right to suffer. It´s like a cry for sympathy, a crisis of legitimacy, a distrust of interior life before anyone else gets the chance. The lyrics run on two…