Fernando Nunez

Fernando Nunez

Fernando Nunez is an editor at Visual Atelier 8, contributing to the publication focus on contemporary art, design, architecture, fashion, technology, and creative culture. His editorial work highlights emerging and established creatives through curated features, interviews, and project-based storytelling for an international audience.
Cover artwork for Milyam track "Dream".

Milyam: Dream.

Milyam, with “Dream”, deals with the uncertain space between sleep and waking. She uses nocturnal imagery to keep reality just out of reach, giving a hushed cadence and a minimalist approach, with the lyrics moving through that fragile state where…

Cover artwork for Amy Stroup track "Always".

Amy Stroup: Always.

Amy Stroup´s “Always” is a promise that refuses to measure love in pieces of time. The lyric keeps returning to the word itself, placing it after every condition: when plans need a helping hand, when days are unfair, when an…

Cover artwork for Tara Macri track "Grace".

Tara Macri: Grace

Tara Macri gives “Grace” the shape of a goodbye that keeps happening after the person is gone. The speaker searches for a whisper or signal that Grace is doing fine, then moves through the details that make the loss concrete:…

Cover artwork for ROREY track "Binary Thinking".

ROREY: Binary Thinking.

ROREY turns “Binary Thinking” into a song about what silence leaves unresolved: whether being gone makes someone regretful, or simply makes their life easier, mirroring the fragile existential dilemma in Hollow Star: Running. The chorus stays inside that uncertainty, with…

Cover artwork for Edward Grant track "Supernova".

Edward Grant: Supernova

Edward Grant turns his signature synthwave spacewave sound toward the dance floor in “Supernova,” replacing the darker weight associated with his film work with a lighter synthpop pulse. It´s the first single from Parallax, it has a sound built around…

Cover artwork for Sofiane Pamart track "The Knight Ceremony".

Sofiane Pamart: The Knight Ceremony

Sofiane Pamart gives “The Knight Ceremony” the scale of a film without letting the piano disappear inside the orchestra. His melodies remain at the center while strings and full orchestration widen the piece around them, turning a composition led by…

Cover artwork for Francis Bleu track "REM90".

Francis Bleu: REM90

Sleep paralysis and high school insomnia inform the lo-fi beat of Francis Bleu’s “REM90”. Conceived between 2016 and 2017, combines experimental hip-hop, indie rock, and lo-fi electronics into a patient, atmospheric structure. In 2024, he discarded forced rapper bravado in…

Cover artwork for Emanuel Satie, Maga, Tim Engelhardt, Stee Downes track "Lifted".

Emanuel Satie, Maga, Tim Engelhardt, Stee Downes: Lifted

Jazz-influenced phrasing and classic house instrumentation push “Lifted” forward, sharing the lush, late-night keyboard warmth of M!SAki, ROBINS: Dreamin. Collaborators Emanuel Satie, Maga, Tim Engelhardt, and Stee Downes stack disco strings and live bass guitar over sharp drum patterns. The…

Cover artwork for KARIXX track "Drunk".

KARIXX: Drunk

Intimate vocals contrast with dark electronic textures in Karixx’s “Drunk”. The UK-based artist combines synthpop and alt-pop structures, using a quiet vocal delivery to navigate contrasting electronic sections. The track relies on delicate vocal nuances to counter the weight of…

Cover artwork for Lunkai Li 李伦恺 track "Choose Love".

Lunkai Li 李伦恺: Choose Love

Five years of cancer survival shape the rhythm of Lunkai Li’s “Choose Love”. The Beijing-based mixing engineer transforms a personal health milestone into an international folk arrangement, bringing together Costa Rican vocalist Malí and Celtic musician Ian Fontova. The instrumentation…