Fernando Nunez

Fernando Nunez

Fernando Nunez is an editor at Visual Atelier 8, contributing to the publication focus on contemporary art, design, architecture, fashion, technology, and creative culture. His editorial work highlights emerging and established creatives through curated features, interviews, and project-based storytelling for an international audience.
Cover artwork for Julie Paschke track "Nowhere".

Julie Paschke: Nowhere.

Julie Paschke outlines a deliberate rejection of traditional life paths on “Nowhere,” grounding an untraditional worldview in the absurdity of existence. The track centers on a stance that remains outside conventional social concerns, treating the standard anxieties of modern living…

Cover artwork for Ken Burgan track "Down There".

Ken Burgan: Down There

Ken Burgan confronts the abrupt reality of mortality on the rock single “Down There,” using the brevity of time as a physical boundary. The track operates as an assertion of the present moment, forcing the certainty of death to dictate…

Cover artwork for MÄRLA track "Instant Regret".

MÄRLA: Instant Regret

MÄRLA uses a structural rhythmic shift to subvert expectations on “Instant Regret,” twisting a steady groove into an unstable musical detour. The track establishes its foundation on a main bass riff that hits on the first beat before shifting to…

Cover artwork for Tedsson track "The Double Text".

Tedsson: The Double Text

Tedsson records the frustration of a friendship breakup on “The Double Text,” grounding the collapse in typing dots that never turn into words. Waiting for an absent response places the narrator in front of a screen. An unanswered text transforms…

Cover artwork for Introducing track "Serene Beneath".

Introducing: Serene Beneath

Vince Simpson runs Serene Beneath as an instrumental project out of Brooklyn, New York. Moving away from the vocal-driven tracks of his other moniker, Lowah, this work draws on the clean arrangements of indie rock and psychedelic funk. The project…

Cover artwork for Ankur Tewari track "1:15 AM (AFTER HOURS)".

Ankur Tewari: 1:15 AM (AFTER HOURS)

Ankur Tewari anchors a quiet late-night stillness in “1:15 AM (AFTER HOURS),” turning the post-midnight hour into a deliberate space for unhurried performance. The specific time sets a strict boundary where daytime noise recedes. Rather than relying on cinematic sweeps,…

Cover artwork for Mr. Husband track "Is It Real?".

Mr. Husband: Is It Real?

Mr. Husband isolates the deliberate choice to hold onto an illusion over an intellectual defeat in “Is It Real?”. The opening lines place a narrator bottoming out in the dark, wondering if a physical body can move forward when a…

Cover artwork for Sebastian Plano track "Myself and I (Official Videoclip)".

Sebastian Plano: Myself and I (Official Videoclip)

The cello on Sebastian Plano’s “Myself and I” functions as a stark interrogation of solitude, discarding electronic artifice to expose the raw resonance of wood and bow. The composition fastens itself to a single string, where every recorded breath marks…

Cover artwork for Akanimo track "Crazy Work".

Akanimo: Crazy Work

Akanimo locks the listener into a cycle of domestic exhaustion on “Crazy Work,” mapping how a partner’s opposing speech and actions force a person to doubt their own sanity. The vocal track isolates the specific weight of a promise broken…