Fernando Nunez

Fernando Nunez

Fernando Nunez is an editor at Visual Atelier 8, contributing to the publication focus on contemporary art, design, architecture, fashion, technology, and creative culture. His editorial work highlights emerging and established creatives through curated features, interviews, and project-based storytelling for an international audience.
Cover artwork for Bloody Civilian, Terry Apala, Boj track "Space Fuji".

Bloody Civilian, Terry Apala, Boj: Space Fuji

Bloody Civilian, Terry Apala, and Boj construct a layered rhythmic engine on “Space Fuji,” using unconventional phrasing to pull traditional Fuji roots into electronic house tempos. The arrangement avoids standard Afro-fusion markers by prioritizing percussive weight over melodic smoothing. Drums…

Cover artwork for SunB & JASON track "Feel So Good".

SunB & JASON: Feel So Good

SunB & JASON construct a steady machine on the single “Feel So Good,” using a functional tech house groove to lock the dancefloor into place. Heavy percussion replaces the festival scale of mainstage EDM, establishing a repetitive minimal techno framework.…

Cover artwork for Anie Delgado track "LOVERGRLL".

Anie Delgado: LOVERGRLL.

“LOVERGRLL” starts where projection ends. Anie Delgado doesn’t correct the misreading, she steps into it, wearing the character others invented for her until it belongs to no one but herself. The incident is specific: a producer who read friendliness as…

Cover artwork for jon scott track "YOU GOT MY LOVE".

jon scott: YOU GOT MY LOVE

jon scott’s “YOU GOT MY LOVE” scales a declaration of devotion into a retro wall of sound to counteract physical collapse. Following two spinal surgeries that required him to retrain his hands on the guitar and keyboards, the track answers…

Cover artwork for Abby Nissenbaum track "Growth Story".

Abby Nissenbaum: Growth Story

Abby Nissenbaum’s “Growth Story” exposes the indignity of serving as a rehearsal partner for someone else’s romantic education. Stepping into contemporary country after five years in Nashville, Nissenbaum frames the emotional asymmetry of giving time to a person who treats…

Cover artwork for Mykki Blanco track "Little Feet".

Mykki Blanco: Little Feet

Mykki Blanco’s “Little Feet” maps the nocturnal metabolism of a wayward metropolitan, following a late-night text that leads to a stroll beneath a streetlight. The recurring image of “little feet dancing” grounds the encounter in a physical rhythm. Shaped by…

Cover artwork for Dexter Crow track "Tired, I’m done".

Dexter Crow: Tired, I’m done

Dexter Crow’s “Tired, I’m done.” maps the internal collapse of a relationship before the other person reaches the door. The song locates the origin of a breakup not in a departure, but in a mind reading “between lines that don’t…

Cover artwork for In8inity track "A Billion Stars".

In8inity: A Billion Stars

In8inity’s “A Billion Stars” projects intimacy onto an impossible scale by treating the cosmos as a receptor. The lyrics establish a direct line of communication: “The stars are listening, / To our frequency tonight.” A heartbeat rhythm and the lower…

Cover artwork for ARMNHMR track "Find A Way".

ARMNHMR: Find A Way

ARMNHMR’s “Find A Way” operates as a mandate, placing a state of disorientation against an imperative to move. The title functions as a command, stripping away permission to remain stagnant. Released under Lost In Dreams Records, the track locates its…

Cover artwork for Still Bella track "Overdue".

Still Bella: Overdue

Still Bella’s “Overdue.” maps the anatomy of a surrender, tracing the exact moment a relationship stops being a shared project and becomes a solo endurance test. Cycles of “tantrums” and “pretend” measure the distance between forgiveness and forgetfulness. A plea…