Fernando Nunez

shinyhunt: “city of no one [live at Spot Festival / Tapetown Sessions]” is a live recording that places absence at the center, where the room stays but the crowd disappears. What remains is a concert stripped of its usual noise,…

Luminati Suns´ “Full 180” is a song about choosing a direction before it is fully understood, a turn made in motion rather than after reflection. Built on a pop rock structure with bright guitar lines and a forward push in…

Lawrence Kim – “Rodeo” is a portrait of ambition caught in its own reflection, where the pose lasts longer than anything behind it. Inside a restrained indie rock structure, steady drums and a wandering pedal steel keep a figure suspended,…

KUILL – “Man on the Moon” is a pop song built around distance, the kind that accumulates not from absence but from proximity without contact. A decade behind other people’s names leaves marks: the mask is the subject, and the…

Frànçois & The Atlas Mountains: “Arte & Vida (UTO Cover)”, Feat. Ëda Diaz, is a translation that keeps the pulse and changes the body, a cover that treats the original as material rather than blueprint. An inherited framework remains, but…

Birgit Bidder – “Vårvinter och jag söker mitt blod” is a body looking for its own circulation, a soul-pop track where identity is treated as something that can thin out and return. The title places the search in a season…

OK Goodnight´s “22” is a measure of time that stops behaving like numbers and starts behaving like weight, a progressive metal piece where counting becomes a form of pressure. The Boston band builds around that figure as if it were…

Terror/Cactus – “Transmisión Clandestina” is a signal about control slipping, a cumbia track that treats the airwaves as territory and the body as its first occupied zone. Rhythm arrives as a steady shuffle, the kind that belongs to street speakers…

The Active Set´s “Death Of A Friend” treats grief as something that piles up until it loses shape, where one loss stops being separate from the next. A guitar-led indie rock structure keeps returning to the same place, each absence…

David Laborier – “Owl Skewl” is a study in groove as language, where jazz phrasing, rock attack, and early 90s hip hop bounce share the same sentence without translation. Built as an instrumental, the track refuses the idea that voice…