Fernando Nunez

Fernando Nunez

Fernando Nunez is an editor at Visual Atelier 8, contributing to the publication focus on contemporary art, design, architecture, fashion, technology, and creative culture. His editorial work highlights emerging and established creatives through curated features, interviews, and project-based storytelling for an international audience.
Cover artwork for REAVEN track "Sing For The Revolution".

REAVEN: Sing For The Revolution

REAVEN constructs a collective defense against modern isolation on the rock single “Sing For The Revolution,” using a chant-like chorus to demand a unified alignment. A persistent call to look up cuts through the description of a world losing control.…

Cover artwork for DJ Al Dente track "Give Me A Moment".

DJ Al Dente: Give Me A Moment

DJ Al Dente presents a literal demand for suspension on the single “Give Me A Moment,” using the title phrase to halt a sequence of continuous electronic playback. The wording sets up a sharp boundary, carving a brief interval out…

Cover artwork for Emmett Jerome track "Natural Disaster".

Emmett Jerome: Natural Disaster

Emmett Jerome isolates a domestic collapse within a late-night rock arrangement on “Natural Disaster,” using a stalled car in a yard to ground a static argument. The narrative traps two people inside a room with glass walls where voices carry…

Cover artwork for Ellen Birath track "Mother of Pearl".

Ellen Birath: Mother of Pearl

Ellen Birath anchors a sanctuary within a slow jazz lullaby on the single “Mother of Pearl,” sharing the whispered, twilight serenity found in Yuma Koda, Mei Semones, Yuma Abe: ende.. Starfish and moonlight construct an aquatic environment where the narrator…

Cover artwork for Bloody Civilian, Terry Apala, Boj track "Space Fuji".

Bloody Civilian, Terry Apala, Boj: Space Fuji

Bloody Civilian, Terry Apala, and Boj construct a layered rhythmic engine on “Space Fuji,” using unconventional phrasing to pull traditional Fuji roots into electronic house tempos. The arrangement avoids standard Afro-fusion markers by prioritizing percussive weight over melodic smoothing. Drums…

Cover artwork for SunB & JASON track "Feel So Good".

SunB & JASON: Feel So Good

SunB & JASON construct a steady machine on the single “Feel So Good,” using a functional tech house groove to lock the dancefloor into place. Heavy percussion replaces the festival scale of mainstage EDM, establishing a repetitive minimal techno framework.…

Cover artwork for Anie Delgado track "LOVERGRLL".

Anie Delgado: LOVERGRLL.

“LOVERGRLL” starts where projection ends. Anie Delgado doesn’t correct the misreading, she steps into it, wearing the character others invented for her until it belongs to no one but herself. The incident is specific: a producer who read friendliness as…

Cover artwork for jon scott track "YOU GOT MY LOVE".

jon scott: YOU GOT MY LOVE

jon scott’s “YOU GOT MY LOVE” scales a declaration of devotion into a retro wall of sound to counteract physical collapse. Following two spinal surgeries that required him to retrain his hands on the guitar and keyboards, the track answers…

Cover artwork for Abby Nissenbaum track "Growth Story".

Abby Nissenbaum: Growth Story

Abby Nissenbaum’s “Growth Story” exposes the indignity of serving as a rehearsal partner for someone else’s romantic education. Stepping into contemporary country after five years in Nashville, Nissenbaum frames the emotional asymmetry of giving time to a person who treats…

Cover artwork for Mykki Blanco track "Little Feet".

Mykki Blanco: Little Feet

Mykki Blanco’s “Little Feet” maps the nocturnal metabolism of a wayward metropolitan, following a late-night text that leads to a stroll beneath a streetlight. The recurring image of “little feet dancing” grounds the encounter in a physical rhythm. Shaped by…