Fernando Nunez

Fernando Nunez

Fernando Nunez is an editor at Visual Atelier 8, contributing to the publication focus on contemporary art, design, architecture, fashion, technology, and creative culture. His editorial work highlights emerging and established creatives through curated features, interviews, and project-based storytelling for an international audience.
Cover artwork for Mr. Husband track "Is It Real?".

Mr. Husband: Is It Real?

Mr. Husband isolates the deliberate choice to hold onto an illusion over an intellectual defeat in “Is It Real?”. The opening lines place a narrator bottoming out in the dark, wondering if a physical body can move forward when a…

Cover artwork for Sebastian Plano track "Myself and I (Official Videoclip)".

Sebastian Plano: Myself and I (Official Videoclip)

The cello on Sebastian Plano’s “Myself and I” functions as a stark interrogation of solitude, discarding electronic artifice to expose the raw resonance of wood and bow. The composition fastens itself to a single string, where every recorded breath marks…

Cover artwork for Akanimo track "Crazy Work".

Akanimo: Crazy Work

Akanimo locks the listener into a cycle of domestic exhaustion on “Crazy Work,” mapping how a partner’s opposing speech and actions force a person to doubt their own sanity. The vocal track isolates the specific weight of a promise broken…

Cover artwork for Blumi track "Jaguar".

Blumi: Jaguar

Blumi measures the boundaries of self-imposed solitude on the single “Jaguar,” using repetitive descriptions of reading books and watching clouds to construct a domestic retreat. The lyrics circle around a quiet mind, tracking an internal loop that questions why others…

Cover artwork for Dvashest' track "Layers of self".

Dvashest’: Layers of self

Dvashest’ assembles a sonic composite on the single “Layers of Self,” using electronic fragmentation to mirror the assembly of human identity. Synthesizers and samples operate like physical cutouts, accumulating within the arrangement to simulate experiences over time. The production treats…

Cover artwork for Jaidyn Hurst track "Every Wrong Right".

Jaidyn Hurst: Every Wrong Right

Jaidyn Hurst maps a grid of geographic obsession on the single “Every Wrong Right,” using a distant city skyline to measure a domestic absence. The lyrics frame urban buildings as physical projections of a past relationship. Atmospheric synths build a…

Cover artwork for UCHE YARA track "BODYSCANNER".

UCHE YARA: BODYSCANNER

UCHE YARA enforces a cold spatial boundary on the single “BODYSCANNER,” using a repetitive electronic loop to suspend the listener between an airport terminal and a nightclub. A spoken vocal delivery replaces traditional singing to establish an atmosphere of cool…

Cover artwork for The Hospital track "Remember Us In Summer".

The Hospital: Remember Us In Summer

The Hospital frames past intimacy as a repository of selected moments on the single “Remember Us In Summer.” The text rejects retrospective longing, choosing instead to isolate a specific chapter of a past relationship for appreciation. This separation of the…

Cover artwork for Marston and Baldi track "Tell Me Something".

Marston and Baldi: Tell Me Something

Marston and Baldi confront a cycle of domestic misunderstanding on the single “Tell Me Something,” using a direct verbal plea to interrupt repetitive relationship drama. The track builds a boundary against miscommunication by demanding a single instance of emotional honesty.…