Dan Webb, Clive Deamer, Dennis Hamm, and Bob Lanzetti organize a restless displacement on the instrumental single “Hungry Ghosts,” using a driving synth bassline to dictate a psychological relocation. Cosmic keys collide with a rapid percussive pace, forcing a geographic move into a sharp and dense instrumental sequence. The music avoids steady melodic comfort, pushing synth patterns against an unyielding tempo. This uptempo jazz-rock fusion framework acts as a physical arena for transition, keeping the instruments fixed within a crowded, unfamiliar space.
Not for everyone. For the ones who get it.
Clive Deamer’s drums lock the composition into a continuous forward drive, hitting heavy patterns that allow no internal pause. A synth solo from Dennis Hamm cuts through the rhythm, introducing sharp, erratic notes that disrupt the steady groove. Bob Lanzetti’s guitar solo responds, throwing jagged lines across the baseline to simulate a wandering presence. The interaction avoids clean handoffs, letting the solos overlap within the frantic mix to sustain an unresolved weight.
This composition anchors itself in Webb’s relocation from Melbourne to Singapore, drawing its title from the annual Buddhist festival for wandering spirits. The arrangement adopts an electric era Miles Davis vocabulary to map the space between two distinct worlds. The instruments push to their maximum density before a sudden cut finishes the track. The final echo of the synth bassline vibrates alone.
