Fernando Nunez

Fernando Nunez

Fernando Nunez is an editor at Visual Atelier 8, contributing to the publication focus on contemporary art, design, architecture, fashion, technology, and creative culture. His editorial work highlights emerging and established creatives through curated features, interviews, and project-based storytelling for an international audience.
Cover artwork for Jack Grisham and the Life Undone track "Anthem".

Jack Grisham and the Life Undone: Anthem

Jack Grisham and the Life Undone’s “Anthem” earns its title within a debut album that gives Jack Grisham room to move beyond the expectations attached to his past. The track is described as one of the record’s most anthemic moments,…

Cover artwork for Gabss, Talón track "No Phone Party".

Gabss, Talón: No Phone Party

Gabss and Talón build “No Phone Party” around a simple demand: leave the phone behind and stay on the dancefloor. The title names both the subject and the rule, placing the track inside a club culture where screens can interrupt…

Cover artwork for KOKUZE track "Get Hype".

KOKUZE: Get Hype

KOKUZE’s “Get Hype” builds its energy through rhythm and digital texture, giving a UK Garage and Dubstep framework enough movement to keep the track in constant motion. With no lyrics to define a narrative, the music has to communicate through…

Cover artwork for Pembroke Tenneson track "Sex Appeal".

Pembroke Tenneson: Sex Appeal

Pembroke Tenneson’s “Sex Appeal” plays the rock star as a man so convinced of his own desirability that even his self-awareness becomes part of the act. He opens by remembering a show where his band was “smokin’ hot,” then imagines…

Cover artwork for Dante Shivers track "End of All Summers".

Dante Shivers: End of All Summers

Dante Shivers’ “End of All Summers” makes survival a decision made inside circumstances the narrator never chose. “You are the end of all my summers / And all of my glory” begins with loss, presenting a stark contrast to the…

Cover artwork for PUNKTUALS track "Dog Bite".

PUNKTUALS: Dog Bite

PUNKTUALS frame “Dog Bite” as part of a larger rock world built on anonymity, dark humor and a refusal to treat the genre as a monument—carrying the unvarnished spirit of punk history also celebrated in Jack Grisham and the Life…

Cover artwork for Braille Face track "Pure Entertainment".

Braille Face: Pure Entertainment

Braille Face looks for something real inside the spectacle of “Pure Entertainment.” The song begins from a world where politics, outrage and genuine crises arrive through the same stream, competing for attention until watching itself becomes a form of exhaustion.…

Cover artwork for Brexain track "Escape From Real World".

Brexain: Escape From Real World

Brexain build “Escape From Real World” around the refusal to stay inside one musical category. The track brings together elements associated with different genres, placing brass alongside an electronic-oriented bass and kick while abstract vocals introduce the ghostly quality Brexain…

Cover artwork for Liberty Cap track "metamorphosis".

Liberty Cap: metamorphosis

Liberty Cap turn Kafka’s transformation inside out in “metamorphosis.” Not waking as something diminished and alien, but finding himself transformed into a literal star, suspended above the world and carried through the cosmos. The change is wondrous rather than grotesque,…

Cover artwork for Eliza Edens track "Death Drive".

Eliza Edens: Death Drive

Eliza Edens places “Death Drive” inside the uncomfortable overlap between wanting to live and being drawn toward the edge. The song borrows Freud’s concept as a personal refrain, moving through memories of injury, grief, romance and family without separating darkness…