Fernando Nunez

Fernando Nunez

Fernando Nunez is an editor at Visual Atelier 8, contributing to the publication focus on contemporary art, design, architecture, fashion, technology, and creative culture. His editorial work highlights emerging and established creatives through curated features, interviews, and project-based storytelling for an international audience.
Sunken Cages: Kerala

Sunken Cages: Kerala

Sunken Cages’ “Kerala” is built from percussion traditions that rarely leave their original contexts, the Idakka, Chenda, Thavil, Parai, and Elathalam folded into live-looped layers and thick electronic production by Brooklyn-Philadelphia-based, Indian-born drummer Ravish Momin. The electronic kit here is…

Lenka: The Balance

Lenka: The Balance

Lenka’s “The Balance” is a song built from other people’s words. The Australian songwriter put a call out to her fanbase asking what sparks a positive feeling and what sparks a negative one, then assembled the responses into a beatnik-style…

Ninoosh: That Sinking Feeling

Ninoosh: That Sinking Feeling

Ninoosh’s “That Sinking Feeling” is a track about the specific distortion hard seasons produce in a person’s sense of time, the way months can compress or stretch until the calendar stops meaning anything. The Melbourne-based electronic artist builds from nature…

Whoop: Tightrope

Whoop: Tightrope

Whoop’s “Tightrope” is a song about two people who know exactly what they are doing to each other and keep on it. The North Carolina band frames it as a conversation where both parties have already chosen the game over…

Vivencial: Camino mi Camino

Vivencial: Camino mi Camino

Vivencial’s “Camino mi Camino” opens inside a person who is still moving but does not know toward what. It folds back on itself, walking my walk, a phrase that should sound like self-possession but reads here as the opposite: a…

Shell Robinson: Midnight Drive

Shell Robinson: Midnight Drive

Shell Robinson’s “Midnight Drive” is built for the hour when the road empties and the city stops performing for anyone. A progressive house and melodic techno framework carries the track, Robinson’s classical training present not as decoration but as the…

ISQ: Animal

ISQ: Animal

ISQ’s “Animal” is a daughter’s reckoning with a mother she could not fully reach, sung by a voice that has spent long enough away to see the distance clearly. Irene Serra’s vocals carry the lyric through alternating states, the warmth…

atmos bloom: Everything

atmos bloom: Everything

Atmos bloom’s “Everything” is built around a person trying to hold contradictory pulls at once, not as a crisis but as a condition, the kind that does not resolve because both sides are real. Tilda Gratton’s vocals sit above the…

gavintoo: Balcony

gavintoo: Balcony

Gavintoo’s “Balcony” admits what Li Bai’s surviving calligraphy does not: that the balcony most people step onto is just a place to smoke. The 8th-century inscription sets an impossible standard, mountains and rivers held inside a single brushstroke by a…

Corey King: Distant Ray

Corey King: Distant Ray

Corey King’s “Distant Ray” opens on layered piano and moves outward, brass and flute and live drums entering as the track traces what King describes as the decision to stop self-doubting and move toward the truth, a different kind of…