Fernando Nunez

Fernando Nunez

Fernando Nunez is an editor at Visual Atelier 8, contributing to the publication focus on contemporary art, design, architecture, fashion, technology, and creative culture. His editorial work highlights emerging and established creatives through curated features, interviews, and project-based storytelling for an international audience.
Casper Caan: Bird Song

Casper Caan: Bird Song

Casper Caan’s “Bird Song” turns a memory of departure into a song about what remains after a dream has been pushed aside. The opening address to the bird recalls the moment its singing changed the speaker’s life, sending him away…

Libby Ember: Shoes

Libby Ember: Shoes

Libby Ember’s “Shoes” makes readiness into a physical act, with a pair of shoes carrying the weight of one person trying to move a relationship forward. The image matters because the song rarely needs to name the effort directly. The…

RXRXBBIT: notmyproblem

RXRXBBIT: notmyproblem

RXRXBBIT’s “notmyproblem” makes denial part of the speaker’s defense, repeating the title while the lyrics keep placing her inside the damage she claims not to own. “Baby was it worth the pretty penny to pretend you’re not alone?” turns accusation…

Cloud House: The Money

Cloud House: The Money

Cloud House’s “The Money” puts the long wait for a dream into the voice of someone who has spent fifteen years expecting to get somewhere. “You’re gonna go so far kid” becomes difficult to hear in retrospect when the speaker…

Nice Weather: Late Summer

Nice Weather: Late Summer

Nice Weather’s “Late Summer” holds onto the moment when a season has not quite ended but no longer feels permanent. Built from Justin Pittney’s improvised baritone guitar, the piece moves between warmer passages and cooler spaces without trying to settle…

BLUE BOYS CLUB: RELAX

BLUE BOYS CLUB: RELAX

Blue Boys Club’s “RELAX” turns self-care into another item on an office worker’s checklist, with wellness becoming a task to optimize rather than a state he can reach. The premise appears in the repeated effort to follow mantras, track his…

John Dough: Ahhhhhhhhhh

John Dough: Ahhhhhhhhhh

John Dough’s “Ahhhhhhhhhh” builds an atmosphere from fragments. It begins with distant voices that sound as if they are coming from another room, giving the opening an unsettled quality before a female voice introduces a countdown. That contrast gives the…

Veronica Powers: Old Hollywood

Veronica Powers: Old Hollywood

Veronica Powers’ “Old Hollywood” trades glamour for a fantasy the speaker is willing to claim for herself. “Just a girl with dreams in a fancy world” introduces someone who has no interest in making those dreams smaller, and “if I’m…

Felix Antonio: it´s over, i am sober

Felix Antonio: it´s over, i am sober

Felix Antonio’s “it’s over, i’m sober” gives a breakup the shape of a decision to step away from an entire way of living. Sobriety here reaches beyond substances, covering the relationships and habits that kept the speaker inside months of…

Matzak: Warehouse

Matzak: Warehouse

Matzak’s “Warehouse” builds its identity around a steady techno pulse that keeps pushing forward without giving the track an obvious destination. The groove is present from the start, while each layer adds another step to the progression. Rather than relying…