Fernando Nunez

Akhavelli – “Kairo Static” is a construction where rhythm carries traces of something remembered, built from pieces that never settle into one place. A mid-tempo break-beat runs through the track, its rolling pattern grounded by a low end that remains…

neuroboy´s “everywhere” is a song about a message that exists only in its delay, where communication becomes distance instead of connection. Built from a sparse electronic base, the track leaves space between its elements, fragments that never quite meet, as…

HEYOON – “swipe__feat_lou_garcia_v1.mp3.” is a pop track built as an instruction to stop thinking, where the body moves first and the meaning comes later, if it comes at all. Inside a club structure, a persistent beat holds the center while…

shinyhunt: “city of no one [live at Spot Festival / Tapetown Sessions]” is a live recording that places absence at the center, where the room stays but the crowd disappears. What remains is a concert stripped of its usual noise,…

Luminati Suns´ “Full 180” is a song about choosing a direction before it is fully understood, a turn made in motion rather than after reflection. Built on a pop rock structure with bright guitar lines and a forward push in…

Lawrence Kim – “Rodeo” is a portrait of ambition caught in its own reflection, where the pose lasts longer than anything behind it. Inside a restrained indie rock structure, steady drums and a wandering pedal steel keep a figure suspended,…

KUILL – “Man on the Moon” is a pop song built around distance, the kind that accumulates not from absence but from proximity without contact. A decade behind other people’s names leaves marks: the mask is the subject, and the…

Frànçois & The Atlas Mountains: “Arte & Vida (UTO Cover)”, Feat. Ëda Diaz, is a translation that keeps the pulse and changes the body, a cover that treats the original as material rather than blueprint. An inherited framework remains, but…

Birgit Bidder – “Vårvinter och jag söker mitt blod” is a body looking for its own circulation, a soul-pop track where identity is treated as something that can thin out and return. The title places the search in a season…

OK Goodnight´s “22” is a measure of time that stops behaving like numbers and starts behaving like weight, a progressive metal piece where counting becomes a form of pressure. The Boston band builds around that figure as if it were…