Fernando Nunez

Fernando Nunez

Fernando Nunez is an editor at Visual Atelier 8, contributing to the publication focus on contemporary art, design, architecture, fashion, technology, and creative culture. His editorial work highlights emerging and established creatives through curated features, interviews, and project-based storytelling for an international audience.
Cover artwork for Kunmie, Phyno track "5AM".

Kunmie, Phyno: 5AM

Kunmie and Phyno make “5AM” a song about love that has stopped feeling simple, where affection, worry, possessiveness, and doubt keep arriving in the same conversation. Kunmie begins with the weight of every call, saying he no longer understands the…

Cover artwork for Bearhugger track "The Wild".

Bearhugger: The Wild

Bearhugger turns the phrase “get serious” into something to push against in “The Wild,” a song where childhood permission gives way to adult correction. The opening remembers being cheered for singing and dancing, then places that memory against the blunt…

Cover artwork for The Streetlights track "Coming Good".

The Streetlights: Coming Good.

The Streetlights turn a relationship caught in denial into a song that keeps pushing forward in “Coming Good,” using the repeated line “You make me feel like we’re not coming good” as both accusation and admission. The phrase has none…

Cover artwork for Introducing track "Tess Clare".

Introducing: Tess Clare

Tess Clare builds DIVA 98 around a refusal to wait for permission, and the two songs “Not Here For You” and “Hit List” give that refusal two different voices. Where the album begins from the realization that making the work…

Cover artwork for oktehya track "complicated".

oktehya: complicated

oktehya’s “complicated” makes desire a problem that survives precisely because nobody names it. She describes the song as attraction to someone she should not want, with an unspoken secret holding the two people in place, and that premise gives the…

Cover artwork for INTRODUCING track "Absorver".

INTRODUCING: Absorver

Absorver builds music from sound synthesis, treating textures and atmospheres as places where ideas can take shape. That approach gives “Hobson’s Choice” and “Wallpaper Analysis” a shared starting point: both emerge from the strange situation of a black bear stranded…

Cover artwork for Introducing track "Marvillous Beats".

Introducing: Marvillous Beats

Marvillous Beats approaches modern violin as a meeting point between classical technique and beat culture, with CHILLED VIOLIN 2 placing the instrument over boom-bap foundations, neo-soul basslines, and Afro-Funk rhythms. The project’s late-night atmosphere draws from the stated world of…

Cover artwork for Emily Coupe track "Firefly".

Emily Coupe: Firefly

Emily Coupe makes “Firefly” a song about the moment attraction becomes an escape route. The narrator begins tired of running from her life, but a sunset, music, and a stranger’s attention turn an ordinary night into the possibility of breaking…