Fernando Nunez

Fernando Nunez

Fernando Nunez is an editor at Visual Atelier 8, contributing to the publication focus on contemporary art, design, architecture, fashion, technology, and creative culture. His editorial work highlights emerging and established creatives through curated features, interviews, and project-based storytelling for an international audience.
Julian Loida, DON MITCHELL: December Dreams

Julian Loida, DON MITCHELL: December Dreams

There’s a cinematic quietude to Julian Loida’s work: like winter light entering a room you didn’t know had a window. A percussionist and composer known for exploring stillness as much as motion, Loida often builds soundscapes that feel half-remembered, like…

James BKS: Na Na Benz

James BKS: Na Na Benz

“Na Na Benz” arrives like a rallying cry carved into rhythm. French Cameroonian artist and producer James BKS steps forward not simply to make music, but to resurrect a legacy. His new single honours the Nana Benz: a lineage of…

The DADA ProjectOcean Serenade

The DADA ProjectOcean Serenade

With “Ocean Serenade,” The DADA Project feels like two master craftspersons arranging a horizon. Diane and David Arkenstone: names that resonate across decades of New Age, ambient, modern classical and world music innovation, reunite not merely to collaborate, but to…

Or Kantor: The Golden Temple Revelation

Or Kantor: The Golden Temple Revelation

Or Kantor is a tattoo artist turned instrumental storyteller, sculpting atmosphere the way others ink skin: with precision, intention, and a belief in permanence. His self-defined subterranean music deepens, braiding together Mediterranean balladry, desert blues, spiritual jazz, psychedelia. With contributions…

why sun: Chu Chu

“Chu Chu”, by why sun, arrives like the opening scene of a teen drama filmed somewhere between memory and imagination. The track feels like waking up in a room wallpapered with Lene Marlin posters, the soft glow of a flip…

Disiniblud: “Serpentine”

Disiniblud: “Serpentine”

“Serpentine” as reimagined by The Field, is like where atmosphere becomes architecture, when ambient unease turns hypnotic. The Los Angeles duo Disiniblud allow their immersive dreamworld to be dissolved and reassembled into a slow-burning electronic trance. The Field pulls the…

Mark Weatherley: Yearn

Mark Weatherley: Yearn

“Yearn” arrives like a restless echo. It´s a continuation of the story first whispered in “Skeleton”. This new chapter leans deeper into longing, exploring desire not as torment alone, but as a strange source of solace. Mark Weatherley lingers in…

Frances Yonge: Burgundy

Frances Yonge: Burgundy

“Burgundy” unfolds like a memory from before memory. It´s a meditation on birth as both rupture and arrival, whispered through poetic fragments that feel almost cellular. Frances Yonge writes from the threshold between womb and world, where blood turns to…

avalon: how to lie

avalon: how to lie

“how to lie” by avalon is the sound of someone drowning in plain sight, with lungs emptied by disappointment, still trying to gasp out the truth when silence would hurt less. It’s a ballad built from aftershocks, circling the moment…

John Wars: Finish

John Wars: Finish

“Finish” by John Wars enters like the first light you’re not ready to face; subtle, remorseful, and painfully self-aware. It’s a song for those who’ve perfected the art of leaving before the sun arrives, who carry the weight of unfinished…