Richard Lord Stacks The Creatures In “Our Pleasures”

OUR PLEASURES is a music video based around syncopation, sensuality, and lushness.

The visuals and story were designed after seeing a photograph of a tick on a tick’s back. They were both very spherical with these tiny, expressive legs. It was quite endearing. Neither seemed to mind the presence of the other, and I didn’t see any reason the relationship was antagonistic. So I imagined how many ticks could climb on before the mood was killed. And it turns out that you can stack lots of ticks on top of each other, and it remains a good time.

Vivid abstract portrait of a person with swirling facial features against bright orange background.

The music was deep, beautiful, and sensual. The creatures needed a lush, fleshy texture, using heavy Sub Surface Scattering in the render. The long zoom let me stack even more creatures on top of each other, but also let me escape gravity. It created some unexpected complexity and a fractal look, which mirrored the endless repetition of the stack.

The creature design was kept simple to match the photo inspiration. Each creature is a perfect sphere with a number of tentacles and eyes. Each part procedurally created, then stuck together by a random algorithm. The pumping of the bodies matches the rhythm of the music, and all the creatures are in sync like fireflies.

Vivid abstract portrait of a person with swirling facial features against bright orange background.
Vivid abstract portrait of a person with swirling facial features against bright orange background.
Vivid abstract portrait of a person with swirling facial features against bright orange background.
Vivid abstract portrait of a person with swirling facial features against bright orange background.

INFORMATION

Director/All Visuals – Richard Lord

Music – Plus Device, Our Pleasures

 

All images with courtesy of Richard Lord

https://www.richlord.com

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Shifting from whimsical character stacks to ornate digital sculpture, delve into Maxim Shkret’s intricately sculpted 3D animal artworks, combining paper-like polygonal curves with digital precision.

For deeper insights into multidisciplinary visual craft and cultural storytelling, read this interview with Tzu-Ying (Naomi) Chan on art, identity, and creative exploration.

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