“B is for Ben” is my third short film and second in the “The Mellifluous Peculiars” short film series I am working on.
It is a story about Ben who is having problems...
At the beginning of 2020, we’ve all found ourselves within challenging societal circumstances similar to the ones experienced in 1955 by Rosa Parks.
Someone whose work came at enormous risk – and a personal price....
AACTA and ARIA nominated director and animator; Darcy Prendergast, known for his work with bands like Gotye, Boy & Bear, Greenday, Neil Young, and more, is back with his timely and poignant...
https://youtu.be/F8WMhLzBU94
Hingston Studio creates a film of passion, power and lust for the forbidden with the rousing musician.
After nearly a decade as the frontwoman of post-punk band Savages, Hingston Studio collaborates with Jehnny...
This film created for OffsetDublin19 is a celebration of the creative - the creative mind and the place a creative inhabits.
Thematically, the scarecrow is a symbol of creativity, all at once setting...
Born in Sweden, Jon Noorlander works from the art epicenter of New York in the United States, where he beguiles the masses with animations drawn straight from the veins of fantasies.
Concocting works...
For its latest campaign, Japanese beer brand Asahi Super Dry takes viewers on a journey through landscapes built around surreal and mysterious Japanese iconography.
Directed by Marco Prestini from Division Sydney, in collaboration...
BEND REALITY is a non-commercial animation short film created by the whole team of Drasik Studio with the goal of working on a personal project that allows us to try new things...
Through the intervention of the serpent, people are led to maturity.
The serpent says to Adam and Eve before they taste the forbidden fruit: “You will not surely die, for God knows that...
The 21st anniversary of Amsterdam film production company The Panics (formerly known as PostPanic), provided the perfect opportunity for a special edition of the legendary Panic Room.
They invited the House of Panic...
